Principles
Of Professional inquiry
I have to say that upon reading through the hand book and reader 4, I
felt rather overwhelmed by the prospect of choosing a topic to form
my line of inquiry. There are so many aspects involved in my role as
a dance teacher, how would I decide on just one area to focus on? The
answer lies in the process of discovery I am about to embark upon
through the theories and research discussed in Reader 4.
I am studying on BA PP Arts as I would like to improve the quality of
my work and my career prospects, I hope to eventually work as a
lecturer in a practical sense in either further or higher education.
I also like the idea of being an Arts Journalist, but this will
perhaps more likely become a hobby for me! I am currently
predominantly a Ballet Teacher however I am qualified and experienced
in many genres of dance, in the near future when my degree is
complete I also plan to work towards my ISTD Licentiate in Imperial
Ballet in order to take my work in Ballet to the next level.
There are many areas of my profession I would like to develop
further, these include: Choreography, class management, developing
student's confidence and performance skills, ways in which to
increase student's musical awareness/appreciation as well as
continuing to develop more effective teaching methods. In order to
identify these areas I brainstormed and created a diagram of headings
incorporated in my role as a Dance Teacher, I wrote all the aspects I
could think of in order to establish some options to explore. As you
can guess, I have now possibly ended up with too much! (But it's
better than not enough!)
Brainstorming diagram:
The first task for me is to devise a set of questions to establish a
potential topic to form my inquiry. To allow me to decide what
questions need to be asked, I reflected upon areas of teaching I find
challenging and considered what aspects I struggled with myself as a
dance student. What areas did I not understand and why? I often ask
myself what could my teacher have done differently in order to
address certain issues effectively?
I recall always struggling with my confidence, which resulted in
affecting my performance. At the time I feel that my teachers assumed
that maybe I wasn't serious about what I was doing which was not
the case. In light of this, I have always strived to create a
positive learning environment, to always be approachable and
encourage communication to establish a good student/teacher
relationship. I feel that this has been a motivation for me to
develop understanding of individual circumstance, I would like to
develop this further.
Skills in creating Choreography I feel are crucial in the effective
delivery of successful training. When choreographing a piece I call
upon past experience and also my influences, had I not had such a
wide range of training and been taught by lots of different teachers,
I feel I would find my skills very limited. Having said that I do run
out of ideas and would like to broaden my abilities in this field.
I considered effective teaching I had received which has influenced
my practice today, one particular teacher who I trained with for my
ISTD Modern and Tap teaching qualifications, (who I plan to interview
as part of my inquiry) encouraged me to develop a good musical
education in my students. As a huge music fan myself, this made
perfect sense, a lot of children's awareness usually only stretches
as far as current chart music and Disney songs. In order to vary in
styles of choreography and enhance performance it is necessary to
provide background knowledge of the era, culture, heritage and genre
to ultimately produce a more versatile performer. I plan to discuss this
further with this particular teacher during my interview.
So I feel I now have a starting off point and a few several aspects
to explore, through this reflection I have developed my questions
which I plan to ask my two employers a Dance Teacher, a Drama
Teacher, as a fore mentioned I plan to ask one of my teachers from
college who is an examiner. Finally, I feel it would be
interesting to interview two of my students one young, one old (with
the permission of my employer and their parents of course!) as this
may throw up further areas for research.
Task
4a
Here are a set of questions I have devised in order to help lead me
to explore a potential topic further. My questions will obviously
vary depending on who I will be asking, these questions are for my 2
employers and also my former tutor for CDE (Alex, Jon and Rachael):
- As a teacher, what do you find is the most challenging aspect of your practice?
- What areas do you find are the most difficult to develop?
- How would you differentiate the approach to this regarding different age ranges?
- What teaching methods do you find useful for developing performance skills?
- How do you build confidence in your students?
- And do you find this helpful in encouraging their sense of performance?
- What factors do you consider when selecting music for a piece?
- Do you have a particular process or formula when creating choreography?
Possible questions for my students, 1 senior, 1 junior:
- What parts of the lesson do you enjoy the most and why?
- What do you least enjoy and why?
- Do you prefer syllabus work or free work and why?
- Who are your role models in dance?
- What is it about these individuals that you like?
- What do you understand by ' a sense of performance?'
I look forward to receiving the answers in order to aid my research.
Thanks Ruth - it sounds like you are now tying these thoughts about choreography to the 'art of performance' - so creating a focus for the practical skills e.g. your question "What teaching methods do you find useful for developing performance skills?" but also to look into the debate about the craft of performance and if/how it can be taught... Your contacts and sources sound good - it might be worth also identifying practitioners you do not know personally - but through your professional contacts- to develop this theme... good - really challenging - but appropriate and looking into knowledge that will enrich your work. The idea that performance can be 'in the classroom' as well as on stage is an exciting one to research. Cultural ideas about artistic performance will be useful as touchstones for the inquiry. Bw
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